Monday, 3 December 2012

Dissertation plan.


Title: How has Coca-Cola used branding and advertising to become top of the soft drinks industry?

Introduction (750 words): Coca-Cola’s brand history from the beginning to the present
                                                 Where did the begin and how? 
                                                 How has it developed over time? 
                                                 Statistics/facts to inform how successful the brand is at present. 

Chapter 1 (2000 words):   Aesthetics
                                                The brand.
                                                The bottle and can. 
                                                Colour, shape, material. 

Chapter 2 (2000 words):   Advertising on a global scale
                                                Father christmas
                                                Big events eg. olympics 
                                                Availability (which countries?)
                                                Limited edition bottles
                                             
Chapter 3 (2000 words):   Consumer reaction
                                                Advertising and emotion. 
                                                Interviews with consumers and whether or not they are    
                                                consumed by the brand, the impact it has, aesthetic influences 
                                                etc.
                                                Sales figures to back up the success with consumers. 
                                                Father christmas: provoking the biggest reaction. 
                                             
Conclusion (1000 words): Evaluate chapters and conclude by answering the original question. 
                                             
                                                                                          
                                             
                                                                   




Sunday, 25 March 2012

Re-worked essay.

How does Panopticism link to branding within the fashion industry and what impact does this have upon society? 
This piece of writing will discuss how modern day branding links to Panopticism and how this is impacting upon us as a society in particular ways in terms of how we view each other and the judgements we make. It will begin by looking at the Panopticon, what it was and the impact it had when it was first created and then go on to Panopticism and how this  theory was created from the Panopticon structure and the things people learnt from it. It will also look at the examples of modern day panopticism that surround us today, so the theory can be further understood and then go on to discuss branding and the impact logos have upon us to have made branding such a huge necessity within what has become a very panoptic society. There will be a focus on how it impacts upon our identities, stereotypes and ways in which consumers are encouraged to buy into brands. It will then summarize by discussing the direction in which branding and consumerism is heading and deciding wether panopticism will always play a part in this. 
The theory of Panopticism comes from the circular building which was designed by Jeremy Bentham and built in the late eighteenth century known as the Panopticon. The Panopticon contained a central observation tower and separate ‘cells’ around the outside of the building where people would be kept. These cells were placed in such a way that the person being held was unable to see anyone around them and the people who were opposite were too far away for any form of contact, leaving them completely alone. The concept behind the building was that the person being kept within the Panopticon could be seen but would not know when or if they were being watched from the central observation tower. Bentham produced this structure in such a way that it could have a number of uses, 
   “punishing the incorrigible, guarding the insane, reforming the vicious. confining the suspected, employing the idle, maintaining the helpless, curing the sick, instructing the willing in any branch of industry , or training the rising race in the path of education: in a word, whether it be applied to the purposes of perpetual prisons in the room of death, or prisons for confinement before trial, or preintentiary houses, or houses of correction; or work-houses, or manufactories, or mad-houses, or hospitals , or schools” 
(Bentham, 2008, P1).
Due to the nature of the design of the Panopticon it was believed and proved that it could have so much power over those kept within it that they would be mentally trained to behave in a better manner. The Panopticon therefore was described as, “a laboratory; it could be used as a machine to carry out experiments, to alter behavior, to train or correct individuals” (Foucault, 1977, P66). Once this correction technique began to work on people, the central tower didn’t necessarily have to be occupied because the people being held would still think they were being watched once this fear had been placed upon them enough. 
          “In fact, in it’s most explicit practices, imprisonment has always involved a certain degree of physical pain” (Foucault, 1977, P16) 
This part of the text best describes the effect that the Panopticon would have, the prisoners would feel some kind of physical pain because they are being kept away from everything and everyone. Food would be rationed and conditions wouldn’t have been the best. The psychological effect of the  Panopticon is likely to have reduced crime committed at the time because once prisoners had gone through this ordeal they would come out of it a better person. 
Panopticism is a social theory that was developed by French philosopher Michel Foucault. To summarize the theory, it is the idea that people can be controlled and made to act in a certain way if they are in a situation in which they could be under constant observation. In the same way that the Panopticon corrects peoples behavior, Panopticism also corrects it but not necessarily permanently and this is because with the theory people are only being watched under certain circumstances and in certain places, not constantly. The term “Visibility is a trap” (Foucault, 1977, P64) perfectly describes Panopticism because people have no choice but to behave in a certain manner as there may be consequences if they fail to do so. This visibility is what gives Panopticism it’s power and ability to have such a huge impact upon people. Although the theory has been around since 1977 if not before it still exists within modern day. Examples of modern day Panopticism include, swimming pools, university lecture theaters, CCTV and open plan shop floors. Society is also a main form of Panopticism but takes less of a physical form with one of the main elements being how conscious we have become because we are constantly being watched by each other. 
One element in particular that makes society watch each other more than ever is the fashion industry because society has become something within which everyone feels the need to follow the ‘trends’ and buy into the latest brands so that those who are watching are impressed by what they are seeing. “Consumers believe a brand ‘speaks’ to them in some way, and represents a lifestyle they either have or aspire to” (Campbell, 2003, P8). The idea that a brand represents a lifestyle is exactly what the consumer is looking for because they can create a certain image of themselves that may not be true but doesn’t matter to them as long as they impress and are in keeping with the trends. The more popular brands tend to be up market because they create the impression that the consumer is quite sophisticated and shows they can afford the finer things in life, which is some what an achievement in society. Brands have become so established within our society that they can add a huge amount of value to an item that may have not much difference to the unbranded equivalent, yet society continue to fund this because we dress to impress and want to be noticed along with aspiring to this ‘ideal lifestyle’.
Brands create a number of incentives to encourage consumers to buy into them whether this be some sort of offer or a limited edition item. H&M is a company known for giving its consumers an incentive to purchase items, “H&M opens its doors to the world of Roberto Cavalli. The italian designer will create a one off collection for women and men exclusively for H&M. A designer to the stars, he regularly dresses international personalities such as Beyonce, Gwyneth Paltrow...” this is an extract taken from (Superbrands, 2007, P81) which discusses the company and how far it has come. H&M bring celebrity designers into their company to create a limited edition collection because they are aware how society has become so obsessed with branding and how celebrities have a huge impact on what we think of ourselves or a lifestyle we may want, so this technique will prove popular. 
Society can be described as Panoptic because no matter where someone goes they are always likely to be being watched by someone else, society is constantly under surveillance and being judged upon the way people act when out in public. Due to the fact people know they are being watched within society, they act in a certain manner so not to create the wrong impression because the fear created by this particular type of Panopticism is the fact if you don’t act in a certain way you will be judged in a negative way. People, although not all will admit it, value the opinions of others very highly so the effect the Panopticism has may make people untrue to themselves. 
          “Whom do I wish to please, and in so doing whom am I likely to offend? What are the consequences of appearing as this kind of person as against that kind? Does the image I think I convey of my self reflect my true innermost self or some specious version thereof? Do I wish to conceal or reveal?...and so fourth” (Davis, 1992, P24).  
This quote can be applied to branding as well as fashion culture, There is always going to be a variation in opinions on whether or not particular brands are seen as ‘popular’ because everyone has different tastes so effectively when a brand is purchased, the consumer is looking to impress a particular audience, that of those who share the same interests or long for/have a particular lifestyle.  By wearing particular brands are people wanting to create an untrue version of themselves because they are scared the true version will not be liked or will not fit in to what is seen to be ‘popular’ or do people use these brands to express the exact type of person they are and show they are proud of this with no care for what others may think. Due to the Panoptic nature of modern society this has also had an impact on consumerism, 
          “Our culture has evolved into a consumer culture and we from citizens to consumers. Gratitude for what we have has been replaced by a sharpening hunger for what we don’t have. How much is enough? has been replaced by How much is possible?” 
(Lasn, 1999, P63)
this states that consumerism has increased and this increase could easily be down to the panoptic effect we have on each other. It’s as though people in society encourage one an others hunger for these brands that realistically we don’t need. Relating back to the Foucault text it could be said that consumerism causes physical pain because society may feel depressed and hurt if they don’t have these commodities. 
          “I was in grade four when skintight designer jeans were the be-all and end-all, and my friends and I spent a lot of time checking out each others butt for logos.” (Klein, 2005, P27)
This quote could describe the negative impact that consumerism and panopticism together are having on society. Younger generations are becoming increasingly aware of the fact they are being looked at and judged by their peers. Does this influence come from they way in which we are brought up? The younger generations parents may want them to look good too because they feel as though they can be judged on this appearance. We may ask the question when does panopticism within society begin for us, and the elements Berger discusses within his text may have the answer. “Seeing comes before words. The child looks and recognizes before it can speak.” (Berger, 1972, P7) Berger states a good point in the sense that we begin recognizing things straight away so technically this is a form of panopticism because we are looking and making a judgement, even as a small child, nobody will truly know what they are thinking whilst they are seeing something. They may already be making judgements but not in a horrible sense, just in that of opinion. 
          “Fashion branding will increase in importance as consumer goods and fashion markets become more homogenous through globalization. Logos, distinguishing characteristics, great advertising, merchandising and even thorough employee training are going to be crucial for the survival of mass fashions” (Hancock, 2009, P185) 
This quote indicates that the fashion branding industry will in fact not slow down at any point within the near future but continues to grow with the help of consumerism and society’s need for these brands due to their popularity. In conclusion it can then be said that Panopticism and branding together have made our society judgmental and generally not overall pleasant, people live within fear that they are going to be judged for things they may genuinely like so most steer clear of them and this has no indication of changing as long as brands keep excelling and stay part of the ‘popular’ culture. Society has become mixed up because it can no longer be noticed who is being entirely true to themselves and who is creating the image they want people to see.  

Bibliography;
Bentham, J. (2008) Panopticon; or the inspection house, Milton Keynes, Dodo Press.
Berger, J. (1972) Ways of seeing, London, Penguin.
Crowther, D & Green, M. (2004) Organizational theory, London,Chartered Institute of Personnel and Development. 
Davis, F. (1992) Fashion, culture and identity, Chicago and London, The university of Chicago press.
Entwistle, J. (2000) The fashioned body, Cambridge, Polity Press.
Foucault, M. (1977) Discipline and Punish, London, Penguin. 
Giddens, A. (2009) Sociology, Cambridge, Polity Press.
Hancock, J. (2009) Brand story, New York, Fairchild Books. 
Klein, N. (2005) No Logo, London, Harper Perennial.
Lasn, K. (1999) Culture Jam, London, Harper Collins. 
Lyon, D. (2006) Theorizing Surveillance: the panopticon and beyond, Devon ,Willan Publishing.
Superbrands. (2007) Cool brands, London, Superbrands (UK). 
Tungate, M. (2008) Fashion brands: branding style from Armani to Zara, London, Kogan Page.
Vaid, H. (2003) Branding, London, The Illex Press Limited. 
Yurchsin, J & Johnson, K. P. (2010) Fashion and the consumer, New York, Berg. 

Thursday, 1 March 2012

Lecture twelve; globalisation, sustainability and the media.

- Media as a propaganda device.
- Globalization: The dominance of one culture over the rest of the world. 
- Mcdonaldization: The domination of the fast-food restaurant over the world. American capitalised business dominating. 
- Marshall McLuhan: "Social guru" New technologies are extending our own senses. 
- The media has de-sensitised us from the pain of others. 
Sovereignty; 
- Challenges the idea of national state. 
- Cultural imperialism: forcing your values on someone else. Building an empire. The global village structure is shaping different countries. 
- Certain companies control a whole culture eg. Time Warner. The American way of thinking is spread around. 
- New corporations divide the world into categories based on where they will get the most money. 
- Media power could be thought of as a new form of imperialism. Spreads a message that certain things are good. 
- To be on television gives us celebrity status and is seen as desirable. 
- Certain countries follow the 'trends' of others. 
- Rupert Murdoch: owns a lot of UK news so has the power to influence people. This becomes dangerous because we don't know what is 'true'. 
- Biox biofuel plant, Canada (sustainable).
Alternative clean fuel
Renewable
More expensive to produce
- The fuel is none polluting but the factory causes pollution. 
- Nothing sustainable can be had within capitalism. 
- To promote themselves, companies try to be eco friendly. 
- Mcdonalds' green rebrand was to make themselves look eco friendly. 
- Saving the planet is impossible under a capitalist model. 

Thursday, 23 February 2012

Lecture eleven; The production and critique of institutions.

- Museums played an idealogical part in society. They give induviduals a sense of belonging. 
- If your paid by someone else to do work you feel disconnected.
- For Marx, capitalism created a clear class divide.
- A voice is made of different constructs based on varied opinion.
- Your place in the world is socially constructed. 
- Core structure for ideology for Marx is the fact everyone brings different views to the table. 
- The Louve in Paris; idealogical institution of belief.
- On the opening of the gallery there was a festival set to bring everyone together. 
- Free and equal access was granted to those who had never experienced these wonderful things. 
- A politician claimed that the opening of the gallery would quiet the political storm. 
- It served a political purpose as well as one for bringing people together. 
- Marx's ideology had a clear political function. 
- Mythologies; Roland Barthes. He analysed elements such as magazine covers and discussed the predjudice in society. 
- Ideology looks at how natural elements have formed to become historical. 
- The idea that women are caring and men are strong is an ideology created by society. 
- Different people in different situations can construct ideology.
- Our place in the world generates our beliefs. 
- The great exhibition at crystal palace 1851. Generated spaces for exploration, broadcasting power. Exhibitions like this created a sense of belonging. 
- Panopticism links because one of the core functions of the space was that you behaved in a certain way.
- Modern art began to address the induvidual with the art space due to elements such as layout. 
- The status of art in the 20th century was being contested because it was being drawn away from society. 
- Art began to communicate through graphic design to fit with social change. 
- Colour, shape and characteristics began to become emotive based on how the artist may feel. 
- Colour could capture feelings that were felt when the artist interacted with nature. 
- An important element of modern art was that it was set out in a certain way to create an emotional impact. 
- Art becomes about visual elements now instead of something that is linked to society and politics.
- Life is made up of getting things done. The art gallery was a space in which people could escape from life. 
- From all ideologies together we get a set of social values. 
- The dada movement rejected all the values that were previously felt. It was anti art and came about around world war one. 
- Dada 3 was a magazine created to possibly influence others. No form of positivity comes from this. 
- "There's nothing naturally pleasing about an art work" It's the way the art work is conveyed. 
- Art is based on induvidual expression and expects a response from others. 
- Duchamp is trying to prove that art has become seperate from social life eg. 'Bottlerack' piece. 
- To fully appreciate colour in artworks they need to be placed in the right space eg. bright white rooms/galleries. 
- The architectural structure of galleries began to guide people around them. 
- Most elements were removed so galleries became minimalist and artworks could fullfill their full visual potential. 

Friday, 10 February 2012

Task five; the gaze.

‘According to usage and conventions which are at last being questioned but have by no means been overcome - men act and women appear. Men look at women. Women watch themselves being looked at’ (Berger 1972, 45, 47)

Alexandre Cabanel 1863
In the time when this painting came about men definitely had the power and ruling over women. This type of painting would not be seen as provocative in any sense and in fact creates a message about the type of person Venus was described to be with focus on sexuality and beauty. The theory behind the gaze is that women are looked upon but do not look back, this has been presented well in this painting because Venus is covering her eyes therefor has no chance of gazing back, also the way in which she is doing this is almost as though she actually wants to be gazed upon, as though she knew her role at the time. There is clear male power over the painting because she has been placed in a pose in which most of her body can be gazed upon. The cherubs are yet further indication of Venus' characteristics in the sense that they are pure so make this pose seem furthermore innocent.
Eva Herzigová 1994
Within more modern examples of the gaze there has been little changes to the way in which women are presented. In the same way as the painting of Venus, the woman in this advert can be gazed upon but does not gaze back. The main difference that can be seen between the two is the fact that because photography has been used in the advert, the model has a bit more decency to her because photography is seen as provacative in the sense it is 'real'. The other difference here is that the model looks more as though she is enjoying being gazed upon, this may be because it has become the 'norm' for women or is it because women are trying to loosen the power men have over them? However, It connotes that women may feel more confident if they buy this product due to the expression on the models face, so maybe this is just another way of selling the product to its audience by creating an idea.